Alberto García-Alix. Afternoon in San Isidro’s feast. 1987
Alberto García-Alix.Two ladies. 1986.
Alberto García-Alix. Lisa. 2005.
Alberto García-Alix. Mr. Stoneman. 1988.
Alberto García-Alix. La China. 2007.
Alberto García-Alix. In Willy's absence. 1988.
Alberto García-Alix. Self-portrait. The Prize. 1999.
Alberto García-Alix. Grey mass in Orient. 2007
Alberto García-Alix. The time for mercy. 2007.
Alberto García-Alix. The time a kiss lasts. 2001.
Alberto García-Alix. Self-portrait. My feminine side. 2002.
exhibition is over
Today García-Alix, following the spirit of the times, recognises the dangerous role of photography as an 'all-powerful medium'. In his text 'From Where There Is No Return' he muses: 'a collection of portraits is actually an assembly of future corpses'. Another interesting concept is his perception of the photographer as a collector of subjects, situations and life stories who is constantly searching for the magic formula to rescue life from time…